POLA BUNYI DALAM MANTRA PROSESI PACU JALUR DI KUANTAN SINGINGI: KAJIAN STILISTIKA

Authors

  • Zainal Abidin Balai Bahasa Provinsi Riau

DOI:

https://doi.org/10.31503/madah.v4i1.154

Keywords:

soud patterns, magical words, pacu jalur

Abstract

This study aims to describe the sound patterns of magical words of Pacu Jalur procession through stylistics study. By using the descriptive method and interview of the respondents living at Koto Kombu, Kuantan Hulu, Kuantan Singingi, the data, in forms of the magical words, are analyzed through several satages; transcripting, translating, classifying and formulating the research findings. The research findings show that the sound patterns of magical words of Pacu Jalur contain /sipata/, /ma/, /ka/, /rang/, /ja/, /al/ dan /si/, and assonanse consisting the sound pattern of  /i/, /a-a-o/, and /a-a/. The rhemes include an initial position rheme with the pattern of a-a and sound pattern of  /nan/,  /un/, /di/, /ba/, /da/, /lah/, /no/, /ja/, /al/, /nan/, /di/, /ba/, /hai/, /nan/, and sound pattern of /un/, a middle position rheme with the pattern of a-a dan sound pattern of  /do/, /pah/, /nan/, /uo/, /ngan/, /li/, /do/, /ang/, dan /au/, a final position rheme with the pattern of a-a-a and sound pattern of /mo/, /to/, /yu/, /to/, dan /au/, a twin rheme of thre pattern of aa-bb and sound pattern of /nan/-/uak/ and /kan/-/kat/, the pattern of (aa-bb) with the sound pattern of /lam/-/yu/, the pattern of (aa-aaa) with the sound pattern of /nan/, the pattern of (aaa-bb) with the sound pattern of /uak/-kan/ and /kat/-/hai/, and cross rheme containing the pattern of ab-ab with the sound pattern of /o/ /h/-/o/ /h/. Penelitian ini bertujuan untuk mendeskripsikan pola-pola bunyi dalam mantra prosesi pacu jalur melalui kajian stilistika. Dengan menggunakan metode deskriptif  dan teknik wawancara dari informan yang tinggal desa Koto Kombu, Kuantan Hulu, Kuantan Singingi data berupa mantra dianalisis dengan langkah-langkah mentranskripsikan, menerjemahkan, mengklasifikasikan, menginterpretasikan data, dan merumuskan hasil penelitian. Hasil yang diperoleh adalah mantra-mantra dalam prosesi pacu jalur terdiri atas MMK, MPK, MMPJ, dan MMJ dengan pola-pola aliterasi yang meliputi bunyi /sipata/, /ma/, /ka/, /rang/, /ja/, /al/ dan /si/, dan asonansi meliputi bunyi /i/, /a-a-o/, dan /a-a/. Rima mencakup pada posisi rima awal dengan pola a-a dan bunyi /nan/,  /un/, /di/, /ba/, /da/, /lah/, /no/, /ja/, /al/, /nan/, /di/, /ba/, /hai/, /nan/, dan bunyi /un/, rima tengah dengan pola a-a dan bunyi /do/, /pah/, /nan/, /uo/, /ngan/, /li/, /do/, /ang/, dan /au/, rima akhir memiliki pola a-a-a dan bunyi /mo/, /to/, /yu/, /to/, dan /au/, rima kembar pola (aa-bb) dan bunyi /nan//uak/ dan /kan/-/kat/, pola (aa-bb) dengan bunyi /lam/-/yu/, pola (aa-aaa) dengan bunyi /nan/, pola (aaa-bb) dengan bunyi /uak/-kan/ dan /kat/-/hai/, dan rima silang memiliki pola ab-ab dengan bunyi /o/ /h/-/o/ /h/. 

References

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Herianah. 2010. â€Pola Bunyi dalam Lirik Lagu Bugis: Kajian Stilistika†dalam Proceedings The Internasional Seminar on Multidiciplined Linguistics. Padang: Linguistic PostGraduated of Andalas University.

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Published

2013-04-20

How to Cite

Abidin, Z. (2013). POLA BUNYI DALAM MANTRA PROSESI PACU JALUR DI KUANTAN SINGINGI: KAJIAN STILISTIKA. Madah: Jurnal Bahasa Dan Sastra, 4(1), 103–117. https://doi.org/10.31503/madah.v4i1.154

Issue

Vol. 4 No. 1 (2013): Jurnal Madah

Section

Articles

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