Analisis Teknik Defamiliarisasi dalam Novel Akar Karya Dewi Lestari

Authors

  • Intan Zuhrotun Nafi’ah FKIP Universitas Muhammadiyah Malang
  • NFN Sugiarti FKIP Universitas Muhammadiyah Malang

DOI:

https://doi.org/10.31503/madah.v10i2.5

Keywords:

defamiliarizatio, foreign laguage, Buddhist mantra

Abstract

This research aims to reveal (1) technique of defamiliarization in the novel Akar by Dewi Lestari; and (2) the function of defamiliarization. The theory used is formalism of Victor Shklovsky. Close reading is used for method in this research. The data used in this research is the forms of language in the novel. The source of data was obtained from the novel Akar by Dewi Lestari. The result of this research shows that there are three strategies in the novel, namely (1) the utilization of foreign language such as English, Thai, Khmer, and French; (2) the utilization of foreign terms in English and Thai; and (3) the use of Buddhist mantras to purify oneself and Buddhist mantras used when feeling marginalized. The defamilarization function in Akar novel is to add aesthetic value and to make readers more interested in reading.

References

Asropah, Larasati, & Arifin, Z. (2019). Aktivitas dalam Media Sosial Instragram dan Pengaruhnya Terhadap Perilaku Berbahasa Mahasiswa FPBS Universitas PGRI Semarang: Sebuah Kajian Bahasa dengan Pendekatan Budaya. Semarang. Retrieved from http://eprints.upgris.ac.id/527/2/LAPORAN PENELITIAN HIBAH APBU 2018-BETUL.pdf

Hiasa, F. (2016). Kerinduan pada yang Real dalam Novel Akar Karya Dee. Poetika: Jurnal Ilmu Sastra, 4(2), 66—73. https://doi.org/10.22146/poetika.15650

Imrom, A. M. A. (2009). Kajian Stilistika Novel Ronggeng Dukuh Paruk Karya Ahmad Tohari dan Pemaknaannya. Kajian Linguistik Dan Sastra, 21(1), 67—80.

Retrieved from journals.ums.ac.id/index.php/KLS/article/download/4393/2818

Lestari, D. (2018). Akar. Yogyakarta: Bentang Pustaka.

Osno, M. (2016). Rubayat Hamzah Fansuri: Kajian Strukturalisme-Semiotika. Jentera: Jurnal Kajian Sastra, 5(2), 74—94. https://doi.org/10.26499/jentera.v5i2.367

Ratna, N. K. (2004). Teori, Metode, dan Teknik Penelitian Sastra. Yogyakarta: Pustaka Pelajar.

Rokhmansyah, A. (2015). Orde Baru sebagai Landasan Fabula dalam Novel Entrok Karya Okky Madasari: Kajian Formalisme Rusia. Journal of Culture, Arts,

Literature, and Linguistics (CaLLs), 1(1), 39—51. https://doi.org/10.30872/calls.v1i1.708

Saleh, F. (2014). Teori Formalisme – Balaghah. Al-TurÄṡ, 20(1), 147—158. https://doi.org/10.15408/al-turas.v20i1.3753

Siswanto, W. (2008). Pengantar Teori Sastra. Jakarta: Grasindo.

Sugiarti. (2014). Estetika pada Novel Geni Jora Karya Abidah El Khalieqy. Atavisme

Jurnal Ilmiah Kajian Sastra, 17(2), 134—147. https://doi.org/http://dx.doi.org/10.24257/atavisme.v17i2.6.134-147

Supriyadi. (2016). Posmodernisme Linda Hutcheon: Poetics of Postmodernism (1989) dan Politic of Postmodernism (2002). Poetika: Jurnal Ilmu Sastra, 4(2), 129—133. https://doi.org/https://doi.org/10.22146/poetika.17532

Susanto, D. (2012). Pengantar Teori Sastra. (Tim Redaksi CAPS, Ed.). Yogyakarta:

CAPS.

Tarigan, H. G. (1991). Prinsip-Prinsip Dasar Sastra. Bandung: Angkasa.

Triana, S., & Antaryama, I. G. N. (2016). Konsep Defamiliarisasi pada Desain Museum Tambang Pasir Sungai Brantas. Jurnal Sains Dan Seni ITS, 5(2), 206—211. https://doi.org/10.12962/j23373520.v5i2.18945

Uniawati. (2008). Defamiliarisasi dalam Kebahasaan Cerpen Jumat, Yang Sebening Gelas Anggur Karya Hasta Indriyana. Kajian Sastra: Jurnal Bidang Kebahasaan

Dan Kesastraan, 32(1), 51—59. Retrieved from https://ejournal.undip.ac.id/index.php/kajiansastra/article/view/2963

Wellek, R., & Warren, A. (2016). Teori Kesusastraan. Jakarta: Gramedia Pustaka Utama.

Downloads

Published

2019-10-17

How to Cite

Nafi’ah, I. Z., & Sugiarti, N. (2019). Analisis Teknik Defamiliarisasi dalam Novel Akar Karya Dewi Lestari. Madah: Jurnal Bahasa Dan Sastra, 10(2), 149–160. https://doi.org/10.31503/madah.v10i2.5