AMBIVALENSI KEHIDUPAN TOKOH LARASATI DALAM ROMAN LARASATI KARYA PRAMOEDYA ANANTA TOER: KAJIAN PASCAKOLONIALISME

Penulis

  • Daratullaila Nasri Balai Bahasa Sumatra Barat

DOI:

https://doi.org/10.31503/madah.v7i1.108

Kata Kunci:

Larasati, post-colonialism, ambivalency

Abstrak

Larasati is a novel by Pramoedya Ananta Toer that records Indonesia’s flaming revolution at post-proclamation, not by “the great people and eldersâ€, but a woman, Larasati. She was an ordinary villager whom became a stage artist and beautiful movie star as well as a woman who “prostitute herself to the colonialistâ€. This research uses post-colonialism theory and descriptive-analysis method. From the approachment used, the representation of ambivalency action from the live of the ruled ones can be seen.

Referensi

Ashcroft, Bill, Gareth Griffiths, Helen Tiffin. 2003. Menelanjangi Kuasa Bahasa: Teori dan Praktik Sastra Kolonial. Yogyakarta: Qalam.

Budiman, Manneke. 2006. “Masalah Sudut Pandang dan Dilema Kritik Pasca Kolonial†dalam Clearing a Space: Kritik Pasca Kolonial Tentang Sastra Indonesia Modern. Keith Foulcher dan Tony Day (ed.). Jakarta: Yayasan Obor Indonesia dan KITLV.

Faruk. 2007. Belenggu Pasca-Kolonial:Hegemoni & Resistensi dalam Sastra Indoensia. Yogyakarta: Pustaka Pelajar.

Fitriani, Eli, dkk. (2013). “Analisis Latar dalam Roman Larasati Karya

Pramoedya Ananta Toerâ€, (http://jurnal.untan.ac.id), diakses 11 Oktober 2015.

Haryadi. 2007. “Analisis Tokoh Ara dalam Roman Larasati Karya Pramoedya Ananta Toer: Sebuah Pendekatan Psikologi Sastra (https://dglib.uns.ac.id), diakses 11 Oktober 2015.

Loomba, Ania. 2003, Kolonialisme/Pascakolonialisme (diindonesiakan oleh Hartono Hadikusumo). Yogyakarya: Bentang Budaya.

Mutiah. 2013. “Kajian Postkolonial dalam Novel Larasati Karya Pramoedya Ananta Toerâ€, (http://pbsi-hendriyanto.blogspot.co.id, diakses 11 Oktober 2015).

Toer, Pramoedya Ananta. 2009. Larasati. Jakarta: Lentera Dipantara.

Ratna, Nyoman Kutha. 2008. Postkolonialisme Indonesia: Relevansi Sastra. Yogyakarya: Pustaka Pelajar.

Sumiyadi. 2011. “Representasi Perempuan dalam Novel-Novel Pramoedya Ananta Toer (Kajian Kritik Sastra Feminis)â€, http://penelitian.lppm.upi.edu), diakses 11 Oktober 2015).

##submission.downloads##

Diterbitkan

2016-04-21

Cara Mengutip

Nasri, D. (2016). AMBIVALENSI KEHIDUPAN TOKOH LARASATI DALAM ROMAN LARASATI KARYA PRAMOEDYA ANANTA TOER: KAJIAN PASCAKOLONIALISME. Madah: Jurnal Bahasa Dan Sastra, 7(1), 25–36. https://doi.org/10.31503/madah.v7i1.108

Terbitan

Vol 7 No 1 (2016): Jurnal Madah

Bagian

Articles

Lisensi

The author who published an article in the Madah journal has agreed on the following points.

  1. Author retain copyright and grant the journal of first publication with the work simultaneously licenced under Creative Commons Atribution Licence (CC BY-NC-SA 4.0) that allows other to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
  2. Authors are allowed to publish articles that have been published by the Journal of Madah through separate contractual agreements for non-exclusive dissemination (e.g, placing them into an institutional repository or publishing them in a book) by keeping the first issue in the Madah journal.
  3. Authors are permitted and encouraged to disseminate their work in cyberspace (e.g, in institutional repositories or author pages) before and during the submission of the text document as it can support productive exchange of earlier and broader credits.